NICOLE ALBERTSON
Life Editor
While already releasing his seventh studio album “Armchair Apocrypha” in March 2007, Andrew Bird delivers another masterpiece on an eight-track EP “Soldier On” featuring his unique signature sound and style. Known for his whimsical whistling and enchanting violin, Bird creates an EP sure to transport any listener to a place of serenity and tranquility.
Originally a European EP, “Soldier On” is now digitally available in America since March 11. Containing album outtakes, demos, alternative mixes and covers of Bob Dylan’s “Oh Sister,” Chicago-based Bird demonstrates unusual talent and versatility in the music industry. Coming back with a stronger voice and message than on pervious albums, “Soldier On” is a wonderful demonstration of his American folk roots and Eastern European and Asian influences.
Opening the EP with “The Trees Were Mistaken,” Bird sustains a long introduction with rhythmic drumming and violin pricks. His signature whistling and melodic, peaceful voice accompany the bouncing beat behind his passionate and gentle voice. The upbeat pace and tempo drive the music forward and propels the listener through each track.
“Soldier On” features a remix of the Bird classic “Plasticities.” While extraordinarily close to the original composition, “Plasticities Remix” expands on the strength of background vocals and instruments. During the hypnotic chorus, the background vocals are brought in with more strength and passion, showcasing the violin, chimes, piano and background singers. Still holding on to the truth of the song, Bird enhances the percussion with deep drums and light chimes echoing the beginning of “The Trees Were Mistaken.”
As an early version of another notable Bird classic, “Heretics” takes an acoustic look at the emotional and passionate melody. With only his guitar, Bird extends a word of warning and insight to society’s youth. Through his lyrics, “Wait just a second now, It’s not all that bad. Are we not having fun?” Bird expresses his concern for governmental control over personal decisions and misguided citizens.
His quiet passion and caring disposition shine alongside his unique sound. Bird’s folk style puts him in the prestigious company of indie legend Elliott Smith. He channels the same subtle patience and serenity that once captivated millions of Smith fans. Multi-instrumental Bird demonstrates his classical violin training and accompanies himself with the glockenspiel and guitar.
While Bird has not claimed mainstream fame, his loyal fan base can take solace in “Soldier On’s” continuation of Bird’s classically unique style and unmistakable talent.
03-27-2008